tag:blogger.com,1999:blog-89546499533510543212024-03-29T09:00:06.721+05:30Trichur brothersThats my brother and me. We perform Carnatic Music under this banner. This blog is for all ardent music LOVERS.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.comBlogger62125tag:blogger.com,1999:blog-8954649953351054321.post-12626403808893907732019-07-16T20:21:00.000+05:302019-07-16T20:21:56.098+05:30"Sound Check"!!<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="s1">Dear friends,</span></div>
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<span class="s1">Have been wanting to write about this for a long time now!</span></div>
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<span class="s1">Carnatic Music Concerts have moved from Single mic Concerts to Analog mixers to Digital mixers within a span of a few decades. Though we are not qualified sound engineers, years of using mics/ sound gadgets, and years of working with reputed sound engineers have blessed us with quite a lot of insight regarding the art of sound management for a live Carnatic Vocal Concert. </span></div>
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<span class="s1">Lets take our own Concert as an example here. Typically there are 5 of us on the stage. Two Singers, Mridangam, Violin and Ghatam/ Khanjira. We normally dont mic the Tampura, but this could be done too. </span></div>
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<span class="s1">By professional standards, one needs to allot at least 30 mins (this is the barest minimum) per artiste, which itself comes to 2 and a half hours!!!! Now, this is practically impossible, unless we have the hall from the morning, or we do the sound check the previous evening. Whenever this option is available, we do it without fail, as we hate to keep the audience waiting!! </span></div>
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<span class="s1">However, in most of the venues that hosts concerts in India and abroad, either the hall is rented only for a few hours, or there are concerts before the main concert for the evening. The Sabhas have to resort to this for multiple reasons, <b>and they cannot be blamed for this</b>. So, practically, the whole team is given 15 to 30 mins for sound check. This is like asking the cook to prepare Paaladapradhaman (Kerala delicacy that demands a lot of time and attention to detail) in 15 mins!!! </span></div>
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<span class="s1">The whole exercise becomes even more difficult when its a duo, with similar Voice texture! Without getting too much into the details, it would suffice to say that to equalize the Voices, and make sure that both are heard distinctly yet without one not sounding louder than the other, is not an easy job :-) </span></div>
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<span class="s1">Also, we cannot have a pre-set soundscape, as each hall is different. Certain halls are acoustically treated, whereas others are not. The capacity of each hall is different, while some can hold thousands, others will fill up with a few hundreds. It could be either open air or indoor. All these play a huge role in adjusting the volume levels and other parameters (hundreds of them, by the way). </span></div>
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<span class="s1">As most of you are aware, we have the PA system and the feedback monitors. For those who are not familiar with these terms, PA refers to the speakers the audience listen from. Monitors are the black boxes you find on the stage, used by the artistes to hear themselves. The sound check has to be done separately for the PA and the monitors. The sound mix could be different. Professionally speaking, each artiste must have one monitor for himself. That’s however not practical every time, so once again a lot of compromise happens in this front. Nor is it possible to go with in ears for a Classical Concert, as its an art form that thrives on improvisation and interaction among the artistes. It doesn't work for many artistes, certainly doesn't work for us in a Carnatic Concert. </span></div>
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<span class="s1">One more aspect that merits mention here is that, there are different mics for the different elements in a Carnatic Concert. For example, Shure SM 50s are our preferred mics for vocals, if we are not using a condenser. The Mridangam needs a sharper mic for the right and one with more bass for the left. The Ghatam needs a sharp mic whereas a Khanjira needs a bass one. Imagine the plight of artistes, when we find that the whole set of mics on the stage are completely mis placed, say just half an hour before the concert. Of course, that happens very rarely nowadays, with Sabhas investing in proper sound equipment and engineers.</span></div>
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<span class="s1">We can go on and on about the various technicalities involved. If we can talk so much, imagine what a sound engineer will have to say about this. </span></div>
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<span class="s1">One of the reasons we wanted to write this post is that, we have had feedback from our well wishers and rasikas, and critics (both constructive and destructive :_)), that we tend to take a lot of time for our sound check :-)))</span></div>
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<span class="s1">First of all, we want to make it absolutely clear that , we hate to keep the audience waiting! Nothing could be more unprofessional. At the same time, we are very keen that we give our best for the sound check, in the half hour that we get. As we said, this is just 1/5th of the time, that it normally takes to adjust the sound.</span></div>
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<span class="s1">Also, as we mentioned in the beginning, whenever we have the choice, we take the trouble to come early and finish the sound check, but due to practical constraints for the Sabhas, this option is not always available. </span></div>
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<span class="s1">We also feel that, we would rather spend this quality time in the beginning, rather than fiddling with the system time and again during the concert, which, we suppose, is a bigger disturbance for the audience. </span></div>
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<span class="s1">In fact, most of the time, we go without the monitors as this would take another half hour, minimum! We cannot thank the accompanying artistes enough, for cooperating with us in this respect. Its very difficult especially for the Mridangam to play without the monitors, but given the circumstances, our dad has never complained about this! Nor have the Violinists or Ghatam/ Khanjir Vidwans who normally accompany us! Thanks!!</span></div>
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<span class="s1"><b>Why is this half hour of sound check very crucial? </b></span></div>
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<span class="s1"><b>Numero uno</b>- this is very important to safe guard the Voice. A poorly adjusted sound system can lead to Vocal abuse and land the Singer in trouble sooner or later. This is our life and profession and we better be careful.</span></div>
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<span class="s1">2.) In a Carnatic Concert, the whole concert revolves around the Shruthi! If you cant hear the Tampura, and still perform, that is gross injustice to this artform. Only a well managed sound system will allow the artistes to clearly hear the Tampura and enjoy themselves and share that Divine experience with the listeners. </span></div>
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<span class="s1">3.) A Carnatic Concert is well experienced, when all the elements have the right tone and volume! If the Ghatam sounds louder than the Mridangam we have a problem. If the Violin sounds feeble as compared to the Vocals we have a problem. If one of us sounds louder than the other, thats not fair!!:-) if the overall volume is less, we have an issue (though we have to resort to this in halls that are not acoustically treated), if the volume is loud, then its not Carnatic Music!!!</span></div>
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<span class="s1">This is just a brief write up. We have just touched the tip of the iceberg! There is so much more of science and technicality and talent involved! Sound engineering is not meant for the feeble hearted! You need brave-hearts to handle this :-) It requires years of training and experience. Its like a cricket match, each pitch is different, and we have to play accordingly. So with the sound too! Each venue is different.</span></div>
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<span class="s1">We hope this article will help put aside a lot of wrong notions about “Sound Check” .</span></div>
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<span class="s1">We would like to request all you wonderful rasikas out there to be patient when the artistes do the sound check. They are equally or more eager to commence the concert. </span></div>
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<span class="s1">So the next time you walk into our concert or any other concert, and are treated to some “Sound check” , we request you to enjoy the whole process and not complain, for there is more to it than meets the “ears”, in this case :-)</span></div>
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<span class="s1">Cheers,</span></div>
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<span class="s1">Musically Yours, </span></div>
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<span class="s1">Trichur Brothers</span></div>
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Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-18498879658983664452014-12-02T07:13:00.000+05:302014-12-02T07:52:19.400+05:30December Season 2014/ 2015<div dir="ltr" style="text-align: left;" trbidi="on">
Shri Rama Jayam<br />
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Dec 5th: Margazhi Mahothsavam, Youth Hostel (Adyar), @ 5.00 PM<br />
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Dec 6th: Karthik Fine Arts, Narada Gana Sabha Main Hall, @ 10.00 AM<br />
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Dec 10th: RR Sabha, Dakshinamoorthy Auditorium, Mylapore @ 7.00 PM<br />
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Dec 15th: Narada Gana Sabha, Narada Gana Sabha Main Hall @ 7.00 PM<br />
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Dec 19th: Charsur, Narada Gana Sabha Mini Hall, @ 4.30 PM<br />
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Dec 20th: Chennaiyil Thiruvayyaru, Kararajar Arangam, @ 10.00 AM<br />
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Dec 21st: Mylapore Fine Arts, MFAC Hall, @ 4.30 PM<br />
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Dec 22nd: Brahma Gana Sabha, Sivagami Petachi Hall @ 4.00 PM<br />
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Dec 23rd: ISKCON and Carnatica Global Music Festival, ISKCON Thiruvanmiyur @ 5.00 PM<br />
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Dec 24th: Hamsavinodhini, Kashi Vishweswarar Temple, West Mambalam @ 7.00 PM<br />
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Dec 25th: Shri Maha Periyava Padhuka Temple, Mylapore, @ 7.00 PM<br />
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Dec 26th: Rasika Fine Arts, JayaGopal Garodia School @ 7.00 PM<br />
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Dec 27th: Nungambakkam Cultural Academy @ 7.00 PM<br />
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Dec 28th: Shri Parthasarathy Swami Sabha, Vidya Bharathi, Bheemasena Garden, Mylapre @ 4.00 PM<br />
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Dec 29th: Thyaga Brahma Gana Sabha, Vani Mahal @ 6.30 PM<br />
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Dec 31st: Bharath Kalachar, PSBB School, @ 4.30 PM<br />
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Jan 1st: Vadakkunnathar Temple, Trichur<br />
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Jan 3rd: Chrompet Sabha @ 6.30 PM<br />
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Jan 9th: Nada Sudha, Ganapathi Sachidananda Swamiji Ashram, Velacheri, @ 6.30 PM<br />
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Jan 10th: Asthika Samajam, Venus Colony @ 7.00 PM<br />
<br />
Shri Rama Jayam</div>
Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-85038134895286938652014-07-24T10:48:00.000+05:302014-07-24T11:26:06.248+05:30North America Tour 2014, Part 1<div dir="ltr" style="text-align: left;" trbidi="on">
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Shri Rama Jayam</div>
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We left India on the 10<sup>th</sup> of April. In fact we
had just returned from attending our Family Shri Ramar Temple Navami
Celebrations and also just back from an Anubhuthi Fusion Concert at Hyderabad. </div>
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Raghu ji , Violin Vidhwan, arrived on the day of travel, and
we were all assembled to leave at around 9PM. I think Amma had made Panneer and
Fried Rice on the day we left. There were 8 big baggages in all, that included
two custom made Mridangam boxes. For the very first time we were going to fly
by Cathay Pacific, and the flight was via Hong Kong. I would say that the check
in process was pretty hassle free (compared to the last year, when all our
baggage was opened up for further inspection). Once we boarded the flight, the
first thing we checked were the movie collections the flight offered. The
movies selection was pretty disappointing, compared to Air India. There were
just a couple of Malayalam Movies. Anyways, personally I had decided that I
will not get my eyes red (from watching movies that is), like the last
time. The crew was indeed mostly
Chinese, as expected. The Food provided was good. It really helped that I drank
quite a lot of water and when we deplaned I did not have a red eye!!! Flying
Cathay was definitely a nice experience.</div>
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First stop in the Tour was Hong Kong, and I sort of liked
the landing scene. We had to spend a few hours there, and whilst we were there,
Raghu and I decided to just check out the airport. I remember taking a flight
of stairs which brought us in front of a wide array of shops that mostly sold
Food and cosmetics among other things. We had this interesting conversation,
and Raghu informed me that even though Hong Kong is not actually China, the
place was itself controlled by China. He works in the HR management for his
company and had some insight on all these details. Anyways, there was no Food
we could buy, as they were all Mix (Veg and Non Veg) outlets, and we were also
not really hungry. </div>
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The Tour was two months long and we were covering 25 cities
in all. Over two months, we would have walked quite a few miles across airports,
I am sure. Escalators and walkalators were adorable. We got so used to them
that during rare circumstances when we did not have these facilities in some
airport, we would miss them so badly. </div>
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The two black custom made Mridangam boxes was a master
stroke. Only a Mridangist could tell you how concerned they would be about the
instrument. Just two Mridangams for 24
Concerts, within two months, in different weather conditions is a huge
ask. Approximately 5o times the
Instrument would be loaded and unloaded by the baggage crew. For them, this is
a daily task and God knows what the Instrument endured when it was handled so
many times by different pairs of hands. I can now tell you that the box did
hold up and the Instrument was very gracious and stayed fit for all the
Concerts throughout the Tour. The very first indication of any wear and tear to
the box was when we landed at Columbus, towards the latter part of the tour.
One of the wheels had come off, but it did not compromise on the greater
purpose for which the box was made, that is, to protect the Instrument. So,
good job by the Calcutta Manufacturer and good decision to get the boxes.</div>
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So, here we are , flying from Hong Kong to Los Angeles.
Flight was very comfortable and most importantly, travelling through Cathay to
the West Coast, saved a lot of time. And landing at LA, as opposed to Chicago (if
you travel by Air India), also saved a lot of time with all the formalities we
go through when one lands in the US with a Visa. One of the things to remember when one travels is that Ignorance is Bliss, but not when you are unaware of the contents of a baggage
you are carrying to the US!!!</div>
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With all the immigration (or emigration or whatever)
formalities out of the way, we were looking forward to San Diego, one of our
favorite destinations in the United States. The fact that our Cousin lives
there (of course the family has relocated now to Atlanta) made it all the more
interesting. Lakshman is my dad’s cousin sister’s son and also the grandson of
the one and only Semmangudi Srinivasa Iyer. A laugh riot is guaranteed whenever
we meet up with the family. The entire family is huge fans (like so many others
in world) of my dad’s amazing sense of humor. I can never say enough, about how
he manages to get people into splits of laughter. It is also true that the same
joke will have only half the impact when somebody else recounts. Humor comes so
easily to him (like , sort of a birth right), which is the only explanation I can
think of. </div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkM02hrrjrhQNZQMb0A7gHN4vlWtGhlVP7z2bGCcq5oUISKGKcVbxn_8UNutYctL-beEG3pTAOIc13l3SCB6271CbuLeoW5Zsc2wfKvC1k7_WCBj9GNeu84zhV_gHobhI1m8qsHenD3CA/s1600/San+Diego+1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkM02hrrjrhQNZQMb0A7gHN4vlWtGhlVP7z2bGCcq5oUISKGKcVbxn_8UNutYctL-beEG3pTAOIc13l3SCB6271CbuLeoW5Zsc2wfKvC1k7_WCBj9GNeu84zhV_gHobhI1m8qsHenD3CA/s1600/San+Diego+1.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">With Laskhman Anna before the Concert</td></tr>
</tbody></table>
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Lakshman Anna, Uma
Manni and Maya are the great hosts with whom we actually stayed for the third
time. This was our third Concert at San Diego, and we had stayed with them on
earlier occasions too. Lakshman Anna was already there at the airport when we
arrived, and he announced his presence by shouting “Koshava!!!!!” which is by
far the most affectionate term he uses. After exchanging pleasantries (more
words like Koshava , that is), we were on our way home. Had the first
experience of loading so many baggages into the rear of the car. Big cars in
America is the norm rather than the exception and the four of us squeezed in
(major part of the car was occupied by the baggage) with Lakshman taking the
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The San Diego Festival conducted by Indian Fine Arts, who
were also sponsoring our Tour along with the Aradhana Committee of Cleveland,
had already begun. One of the best Music Festivals in the United States that
celebrates Indian Classical Music, the entire Event is so well organized. San
Diego itself is such a gifted place, blessed with very pleasant weather round
the year. The city is also home to many Indians and the Festival has grown
leaps and bounds over the last few years. We were slated to Sing the next day,
and as I had foreseen, the jet lag worked to our advantage. By around 9.30 PM,
Western Time, sleep announced itself rather forcibly. </div>
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Concert Day! The Ragam Thanam Pallavi was in Ragam
Bhageshri. The last two times in San Diego, the Ragas were Jog and Brindavana
Saranga. I also remember that we started
the tour with a composition of Dr BalaMuraliKrishna, a Padha Varnam in
Shanmukhapriya (Omkaara). </div>
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The feature of any North American Tour is generally that the
weekends are filled with Concerts and one may take the weekdays to recover from
all the loss of sleep that comes from hectic travelling during the weekend. This
sort of works, mostly because things are so well organized. Roads are good and
the airports have very good facilities. Most of the airports provide us with
curbside check in facility, which was, God sent for us. With all the huge bags,
this really came in handy. The vehicle could be parked just alongside the curb,
and we merely had to quickly shift the baggage from the car to the check in
point, generally manned by a couple of friendly persons. For the kind of
baggage we were carrying 10-15 USD was reasonable tips, and we could just walk in
to the flight. The key is not to worry about the point of time when we have to
get down from the flight, claim our baggage, load them into the car, and unload
them at the host’s place, not to forget that the next morning we are very
likely (actually assured) of going through the same routine all over again.
Having said that, travelling as a team is fun, and one hardly notices all this.
There is so much of chit chat and wise cracks. Above all, the Musical
Discussions and Insights that would happen in between all this is truly a great
feeling.</div>
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The next destination was San Jose!</div>
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Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com2tag:blogger.com,1999:blog-8954649953351054321.post-5509035209628989822012-05-17T15:22:00.003+05:302012-05-17T15:22:30.598+05:30Listening to Carnatic Music:<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><br /></b></div>
<div class="MsoNormal">
Some people are born lucky with an ear for Carnatic Music.
Some others acquire the gift. Some are unfortunately not even aware of this
form of Music, and the rest of them simply refuse to listen!!! That is why, I
believe that, end of the day, one must be destined to listen to Carnatic Music.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Having been brought
up in a family, where Carnatic Music is played almost every part of the day, it
might be difficult for you to believe that I started developing the taste
probably in my early teens. Thanks to our parents, the routine was not
compromised. Seldom was film music played in the house. But listening in the
formative years leaves a huge impression. <span style="mso-spacerun: yes;"> </span>Years later, a Shankarbharanam phrase flashes
and you recollect that you have listened to this, even without your knowledge,
when you were playing around as a kid.</div>
<div class="MsoNormal">
As I have mentioned, the first category are just lucky. The
second category always wonder, why this did not happen earlier, but thank God, better
late than never!!! The third category is either not exposed to Carnatic music,
or are misinformed or have strongly pre conceived notions about attending a
Carnatic concert.</div>
<div class="MsoNormal">
One of the frequent comments I have heard is this, “Oh,
Carnatic Music, I am not even sure about Sa Re Ga Ma, and I cannot identify the
Ragas. So what is the point?” Well, do you need to know the recipe of Pizza
before you eat one? It is there for you to enjoy and why worry about the intricacies.
It is a different thing, if you get interested and become passionate about the
Ragas, and then learning becomes a natural process.<span style="mso-spacerun: yes;"> </span>Going one step further, I would say,
“Ignorance is Bliss”. When you come for a concert and listen with your heart,
it works the best.<span style="mso-spacerun: yes;"> </span>Therefore don’t
entertain this idea that one can appreciate Carnatic Music, only if
knowledgeable. </div>
<div class="MsoNormal">
There are some, whose primary idea to attend a concert is to
find mistakes. “The Saranga slightly inched into Hameer Kalyani”…or “Ragam
lacked Azhutham”….or “Kalapramanam is too fast”…..etc etc.<span style="mso-spacerun: yes;"> </span>Constructive criticisms definitely help, but
when the sole idea is to find fault with the artiste on stage, it neither helps
the listener nor the artiste. So please for heaven’s sake don’t come into a
concert hall with such motives. </div>
<div class="MsoNormal">
In one of our recent lecture demonstrations at IIT (Chennai),
one student raised this query, “I love listening to Carnatic Music, but get a
little tensed when people relate it to Spirituality”. The question did catch me
off guard. I was thinking, “Of course, it is Spiritual”. <span style="mso-spacerun: yes;"> </span>However, I expressed my view which seemed to
satisfy him. I told him, that if one has a glass of water when he is thirsty ,
it will automatically quench his thirst, whether or not he wants to call it
“Water” or H2O” or any other name he wants. Similarly with our Music, it
touches the heart and does quench the thirst of the inner being. I call it
Spirituality. You may call it whatever you want, but the effect is the same,
you walk out of a Music session as a calmer and better human being. This is
definitely experienced by millions of people across the globe.</div>
<div class="MsoNormal">
One other comment that is fortunately getting totally
obliterated is about the majority of senior citizens in a Carnatic Concert.
Well, the scene has totally changed for sure. Today, you find a lot of
youngsters attending concerts, and most of them are pretty knowledgeable too.
There is definitely an increased awareness of our Art Form, and it is no longer
restricted to India and the USA. Concerts happen all across the globe and
Carnatic Music is definitely moving towards a wider International audience
base.</div>
<div class="MsoNormal">
Put in a nutshell, it’s a very simple exercise. All one has
to do is to go to the concert hall, sit down, listen and enjoy. Well, if it is that
simple then why is it that one has to be made aware of this art of listening. Like
any other fine arts, most of them need to develop a taste before they become
ardent fans. The first time I watched Cricket, I hardly understood anything.
The more I watched I started getting familiar with terms like,” out swinger,
Yorker, bodyline, LBW, Caught behind, mid off, mid on, outside the line etc
etc”. Even watching a game requires a little effort from our end, then talk
about Carnatic Music, which evolved from the Sama Vedas. See, this Music does
put you in a meditative frame of mind, whether you like it or not, and
therefore the mind revolts in the beginning. To sit through a half an hour
exposition of the best Shankarabharanam is possible only for a seasoned listener,
unless one belongs to the first category of being lucky to have this ear for
Carnatic music. Therefore in my opinion, give yourself some time. At least ten
concerts, before you decide (God forbid) and make that statement, “Sorry mate,
Carnatic Music is not for me”. You don’t know what you are missing.</div>
<div class="MsoNormal">
As I said earlier, come in with the pure intention of
listening to good Music. Don’t worry about the Raga and Thala. Don’t worry if
you don’t get interested in identifying a Raga, doesn’t mean you don’t belong,
really does not matter as long as you are enjoying. The interest will naturally
come through, the Music will gradually grip you and you are hooked to IT
FOREVER! </div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
Musically
Yours,</div>
<div class="MsoNormal">
Trichur Brothers.</div>
</div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com7tag:blogger.com,1999:blog-8954649953351054321.post-91152981362582216992012-02-09T10:56:00.003+05:302012-02-09T11:08:25.705+05:30Sahithya and Sangeetha<div dir="ltr" style="text-align: left;" trbidi="on">Jai SitaRama<br />
<br />
<br />
<br />
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">Before we start discussing this topic, let us understand that Carnatic music has primarily evolved as an art form that sprang from the spiritual outbursts of Saints like Shri Purandara Dasar, the Thrimoorthigal and various other Mahathmas. Indeed each Raga is presided over by the Raga Devatha and obviously is charged with innate Divinity. Every Musician would have experienced the fact that the Raga controls his/her music and it is not the other way round. It is exactly when this happens that one could say he/she is immersed in the Raga. Therefore it is a given fact that the Raga by itself is Divine.</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">I think a comparison to the Vedas is warranted here to explain the thoughts. The Vedas are chanted with Swaras. Udhatham, Anudhatham and Swaritham, as they are classified. It is declared that the Vedas has to be chanted with the prescribed Swaras. If the Swaras go wrong, it would have a negative impact even though the Sahithya (using this term for the sake of convenience)is correct, and vice versa. Now both the components have to be addressed properly for it to be complete. Similarly with Carnatic music. Of course, there is a lot more of freedom to add one’s own Sangathis* within a given space. But the Sahithya is of paramount importance and adds to the ambience and majesty of the rendition. However scholarly you might be in your chosen language, can you ever replace “Entharo Mahanubhavulu“ , with any other Sahithya. Never!!!!!! Would it create the same impact? Never!!!!!!!!!!!!!!!!!!!!!!</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">Numerous examples can be quoted which goes on to establish that Sahithya and Sangeetha are like two sides of the same coin. Take the example of Chakkani Raja Margamu, where Thyagaraja Swami explains, “why think about other narrow paths, when the path of Shri Rama Bhakthi, is there in front of you”. The Path is broad and royal. The number of Sangathis that adorn this Pallavi line are plenty, whereas there is just one Sangathi for the next line, “Santhula Dooranela”( which means, narrow paths ,that are longer). Obviously the Saint wanted to stress on the Royal Path. Again in the same line, the pause at Raja Margamu is noticeably long denoting the Royal Path, whereas at Santhula it is really short, and again “Doora” is long signifying distance. This is just one example. Our Music is so beautifully blended with Sahithya Rasa and it is indeed an inseparable aspect of our Music.</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">There is an incident reported by a person who had Darshan of Shri Ramana Maharshi, and asked the Maharshi, “Is it not true that Thyagaraja Swami, Deekshithar etc attained God by singing? Can I not do the same?” The Saint replied, “ What they attained came out as Krithis or Songs!!!!”. What a profound meaning this brings about. Our Music is supremely different in this respect, that it is definitely Spiritually oriented. The Saint composers, did not sit down with a notepad, think about the nuances of each Raga, and then come up with a composition. They were all Spiritually inspired, and the Music was an expression of their “Anubhoothi”. We are all aware of the Cause and Effect relationship. If a particular sound brings about a particular effect, then it is only fair to assume that as a corollary a specific effect will result in a specific sound. So with the Krithis, these Krithis have come out as an expression of “God Realization”, and we can have a glimpse of that experience, if we sing it in the right manner , with the right Bhavam and Bhakthi. Thus, it is definitely not advisable to take the Sahithya lightly. </span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">Would just like to add, that, today with the amount of material that is available in books and the Internet, we must definitely make it a point to learn the Sahithya properly, and understand the meaning of each Krithi.</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><br />
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</div><div class="MsoNormal"><span lang="EN">*Sahithya- Lyrics of the song</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">* Sangeetha-Tune of the song</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN">*Sangathi-Embellishments on a particular line of the song.</span></div></div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com3tag:blogger.com,1999:blog-8954649953351054321.post-25727097299400013082011-05-23T14:59:00.002+05:302011-05-23T14:59:34.916+05:30The Jakarta Episode<div dir="ltr" style="text-align: left;" trbidi="on"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Hi Guys. </span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Just wanted to share our experience performing at Jakarta. The concert was organized by the South Indian Association as part of the Sastha Preethi celebrations. Apart from the three of us, violinist Sherthalai SivaKumar accompanied us from Chennai. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Our flight from Chennai took us to Singapore, and then we had to wait there overnight to catch our flight to Jakarta in the morning. Passing time at Singapore airport is quite easy as the airport is very impressive in size and facilities. You can spot people from every corner of the world waiting for some connection flight. No wonder, their government spent so much on the airport. I am sure everyone would share a word or two about this airport once they reach their destination. Anyways, if I remember well, our flight was at early morning we had only our check in baggage to be bothered about. We took a train that took us to the other end of the airport, where our gate was. We presented our ticket at the gate, and were in for a surprise, as the attendant informed us that the gate was changed for this flight. We probably missed the announcement, but none of us could remember hearing any. We now had to go to some other end of the airport, and we could do this only by train. But the system is so organized, we were able to locate our train in no time, and quickly we took off to the other gate and were permitted entry, with raised eyebrows, annoyed at our late arrival. Guess we just about made it. Aboard the Garuda Airways, we were seated at the back. The moment we entered the flight we were aware of some nauseating smell, which got worse as we neared our seat. Well, guess these guys cook something which smells like that. Fortunately it was a short flight to Jakarta, and the airport was quite plain compared to Singapore. The visa was on arrival, and it was taken care by our host, Ramaswamy Mama. The security guys wanted to know what was inside the Mridangam bag (Mridangam of course), and dad had to explain the instrument. They did a scan and after some deliberation, dad agreed to play a mini thani for them in the airport and they were mighty thrilled. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">We then drove to Ramaswamy Mama’s house, it was a pleasant drive of more than half an hour. We saw the famous Gita Upadesa depiction on the way. The Ramayana and MahaBharata are supposed to be pretty famous in this part of the world as in India. We were welcomed at the door by Mrs RS with a broad motherly smile, and none of us could contain our joy at the delicious aroma of home made Vethakozhambu. The family was so hospitable from the word go, and Mami wasted no time in getting us seated for what followed to be a most satisfying dinner. We took some group snaps, and were ready to retire, when somebody reminded us that Indonesia is very prone to earth quakes. He got no better time to make this comment!!! However, RS Mama, brushed aside the concern, and informed us that it only occurs at certain locations and there is nothing to worry. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">RS Mama’s house is very beautiful. Very spacious, it had a swimming pool too. We gladly accepted his invitation for a swim, but preferred to do it after the concert. Mami, made sure the pool would be cleaned by then. Another point that stuck us was that, in Indonesia, there could be as many as five servants in a house. These people were a content lot, and Mami was explaining that they very much adhered to our “ Madi Acharam” and took bath nearly five times a day!! </span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">The next morning, we had Darshan at the Ayyappa temple. A very beautiful temple, and every ritual was carried on as done in India. That evening we performed, and we rendered quite a few Tamil compositions, as there were predominantly Tamil speaking people among the audience. I think I saw some local Indonesians too in the audience. I remember we sang Kaa va va, as the main. Later, they wanted a sloka from Narayaneeyam, and we sang a Virutham for the slokam, “Yogeendranam…” It is indeed a great feeling to see our people in these far away places still sticking to our culture. They also appreciate it much better, for we in India take it for granted as we get it so easily. </span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">After the concert it was nice meeting lot of people, and we had many invitations, all of which we could not honor for want of time. However, we had two more days left, and it was decided that we will go for a Safari tour the next day. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Mr Chandrashekharan alias “Uncle”, as they call him, is part of the organizing team, and it was he who took us for the safari trip. We were surprised to see lot of vegetables, especially carrots, inside the van. Uncle informed us that these were to feed the animals. We still had no idea of how wonderful the trip would turn out to be. We drove away from Jakarta, into the forest, and we were let in after we purchased the tickets. We were warned to keep the windows closed. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">The safari was like any typical safari. We would drive on the road, and on both sides there were animals moving about. The wild among them, like the lion or tiger, would be within an enclosure, so they don’t come out and hurt. But what really amused us were the monkeys. Here, uncle asked us to throw bananas at them, and some of them threw back the banana skin after eating the fruit. That was really funny. We were also shaken, when a particular kind of bird (forget its name), which was tall, up to our van’s window, suddenly started tapping violently on the windows with its beak. By no means was this cute, but rather menacing with its wide eyes and weird hair style (it did have some hair). However, Uncle told us that it is harmless and we entered the most interesting part of the safari. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">There was this Oranguttan, and we could take snaps with it. One by one we posed with the monkey, and it held to us as a small child would. That over, we were in for one more photo shoot, but this time with a Cheetah. We were assured that it was domesticated, but dad would have nothing to do with it. Uncle convinced the rest of us, and yes we did get the snaps. However, Uncle refused no for an answer, and dad had to bow down to his relentless entreaties and finally obliged for a snap. The cheetah sat on his lap, and for some reason, it stood up just when the camera was above to be clicked. I am sure Dad did not expect this and he had to go through this again. The snaps were taken and then we roamed about the civilized jungle, and heard all sorts of sounds made by these animals. We distinctly remember seeing this monkey swinging from branch to branch, gleefully screaming, and it was freedom at its best. Thanks to Uncle, this safari trip we will never forget.</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">The next day we stayed with our cousin Radhika and her husband Harish. On the way something interesting happened. Apparently we broke a traffic rule, and this police guy stopped us. Before opening the window, Harish explained that in Jakarta, the police guys were very gentle, and accepted bribes gracefully by explaining how much more we will have to pay otherwise, quoting from their traffic rules book. The door opened and the police man, ever so gently, requested for a bribe or penalty of some 20000 rupees (don’t remember the amount exactly, but sounded like a staggering sum for sure). We were stunned as Harish started counting the notes. We soon realized that Indonesian Rupee is not as valuable as the Indian Rupee and 20000 Rupees is not a big amount for them. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">RS Mama and Uncle dropped us at the airport next day and we were back to Chennai within 24 hours, taking the same route. We did meet Ramaswamy mama, Uncle and many friends we made at Jakarta during the marriage of RS mama’s son that happened in Chennai. It is an unforgettable trip, and the fact that I write about this after nearly 5 years, without forgetting much of the details, stands testimony to it.</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Musically Yours,</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Trichur Brothers</span></span></div></div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com4tag:blogger.com,1999:blog-8954649953351054321.post-48713634624278818322011-01-25T10:30:00.000+05:302011-01-25T10:30:01.064+05:30SathGuru Thayagaraja Swami<div dir="ltr" style="text-align: left;" trbidi="on">Namaskaram,<br />
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Jai Shri SathGuru Thyagaraja Swami. Jai Sitaram. <br />
<br />
I just wrote on Facebook about the great Thyagaraja Aradhana Celebrations that are being conducted all over. As a child, I remember listening to Swamigal's compositions rendered by different Artistes. And everytime, I knew, it was a Thyagaraja Swami Krithi, without being told. I am sure many of us have experienced this. There is something extremely divine and comforting about His compositions. And all His krithis touch a nerve, deep within, and has that unmistakable touch of the Saint communicating His Ananda and Rama Bhakthi. Our family deity is Shri Rama and Thyagaraja Krithis were hummed by everybody in the family in between their daily chores. I still remember our Chithappa in the next house use to play "Kshirasagara", almost everyday in full volume. And we as kids use to wait for that line, "Tharaka Nama, Thyagarajarchitha", and our day was made. I always beleive that if you can impress kids with your creativity or talent, then there is Divinity there. Kids seldom analyse, they take into heart whatever they are fed with. And lucky are those kids who are fed with Thyagaraja Krithis, because, they are then being initiated into the Highest Truth through the easiest path. Blessed are all of us who can sing and hear and enjoy His Krithis. <br />
The fact that He has touched our hearts with His simplicity and Music that sprang from HIS Anubhuthi is clearly displayed at the Love and Energy with which His Aradhana celebrations are celebrated all over the country and even abroad. His Krithis are the easiest Marga for Mukthi and the easiest way to be in touch with our rich culture. Let us all pray that He blesses us with Rama Bhakthi and Sangeetha Jnanam. <br />
<br />
Jai Sitaram.<br />
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</div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-46433888433233895572010-12-06T15:29:00.000+05:302010-12-06T15:29:47.081+05:30December Season 2010Namasthe,<br />
<br />
Check out our concert schedule for this season updated in our website<br />
<br />
www.trichurbrothers.com<br />
<br />
Musically Yours,<br />
Trichur BrothersTrichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com7tag:blogger.com,1999:blog-8954649953351054321.post-32070052219229429482010-08-20T14:06:00.001+05:302012-02-02T18:41:54.032+05:30The 72 Melakartha Ragas<div dir="ltr" style="text-align: left;" trbidi="on"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">This is one of the most basic lessons taught to any Carnatic Music student, or is it? I am not sure, but, yes definitely any student of our system of music must get educated about this at least within a year or two after commencement of training. I mentioned that this is a basic lesson, but comprehending and internalizing these 72 ragas is not a joke by any means. A musician’s Swara Jnana will be put to test without any mercy. To theoretically grasp the significance is one thing but it’s an entirely different ball game when it comes to bringing out its nuances in practice. However, the first step is to understand the science in theory. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">The 72 melakartha system, is simply unique, unparalleled and the most COMPREHENSIVE system there was, there is and there ever will be. These ragas contain the summum bonum of anything that can be called Music. Any permutation and combination of notes audible to the human ear will have its source traced back to the Melakartha. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Carnatic music has classified the swaras into:</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Sa – Shadjam</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Ri- Rishabham</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Ga- Gandharam</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Ma- Madhyamam</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Pa- Panchamam</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Da- Daivatham</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Ni- Nishadam</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">This is of course popularly known as the Saptha Swras. The Saptha Swaras are further divided and I am listing it down here:</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><br />
</div><table border="1" cellpadding="0" cellspacing="0" style="border-collapse: collapse; border: medium none; width: 544px;"><tbody>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border: 1pt solid windowtext; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">1</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: windowtext windowtext windowtext -moz-use-text-color; border-style: solid solid solid none; border-width: 1pt 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Shadjam</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: windowtext windowtext windowtext -moz-use-text-color; border-style: solid solid solid none; border-width: 1pt 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">This is the adhara Shadjam or the Shruthi in which we sing</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">2</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Rishabham</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">a. Shudha Rishabham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">3</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">b. Chathushruthi Rishabham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">4</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">c. Shatshruthi Rishabham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">5</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Gandharam</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">a. Shudha Gandharam</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">6</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">b. Sadharana Gandharam</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">7</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">c. Anthara Gandharam</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">8</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Madhyamam</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">a. Shudha Madhyamam</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">9</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">b. Prathi Madhyamam</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">10</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Panchamam</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">11</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Daivatham</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">a. Shudha Daivatham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">12</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">b. Chathushruthi Daivatham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">13</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">c. Shatshruthi Daivatham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><br />
</div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">14</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Nishadham</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">a. Shudha Nishadham b Kaishiki Nishadham</span></span></div></td> </tr>
<tr height="17" style="min-height: 12.75pt;"> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext; border-style: none solid solid; border-width: medium 1pt 1pt; min-height: 12.75pt; padding: 0in 5.4pt; width: 48pt;" valign="top" width="64"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">15</span></span></div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 93pt;" valign="top" width="124"><div class="MsoNormal"><br />
</div></td> <td height="17" nowrap="nowrap" style="border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-style: none solid solid none; border-width: medium 1pt 1pt medium; min-height: 12.75pt; padding: 0in 5.4pt; width: 267pt;" valign="top" width="356"><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">c. Kakali Nishadham</span></span></div></td> </tr>
</tbody></table><div class="MsoNormal"><br />
</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">It must be practically demonstrated for one to understand and appreciate the classification of the Swaras. However to start with, this represents the different notes within a particular octave (from Adhara Shadjam to Melsthayi Sa that is). </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">The Shadjam and Panchamam are eternal and unshakeable, so to say, they represent Godhead. The revered sage of Kanchi, Shri Paramacharya refers to this point while He explains the meaning of the charanam in the famous Thyagaraja krithi Nadathanumanisam. There is a line in the charanam which starts with “Sathyojyathadhi Pancha Vakthraja”, which means the swaras have originated from the five heads of Siva. However, the Sage noted that if we ascribe one swara to each head, then there could be only five and not seven swaras!!! The Sage further observed that this is because Sa and Pa were ever present or eternal and did not have to be created. The remaining five swaras came out of Parameswara’s five heads. This is also the reason why we start the music class with Sa Pa Sa , every other note is contained within this. </span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">However, I am planning to write more about the Melakartha system in the near future. The system, once understood, can be of immense help to identify ragas , to attain proficiency in Swara Jnanam and Swara Singing, and it could open up endless space of creative brilliance for any musician, notwithstanding which genre of music he belongs to.</span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Warm Regards,</span></span></div><div class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Srikrishna Mohan (Trichur Brothers)</span></span></div></div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com8tag:blogger.com,1999:blog-8954649953351054321.post-5635983601397322022010-08-04T14:37:00.000+05:302010-08-04T14:37:05.126+05:30Shri Thyagaraja Jayanthi Festival at TrichurNamasthe,<br />
<br />
On behalf of our academy and on behalf of our dad, Shri Trichur R Mohan, i would like to inform and invite you for the Thyagaraja Jayanthi festival at Trichur that will be held from the 6th, 7th and 8th of August. The venue is Neeranjali Hall in the vicinity of the famous Trichur Round. <br />
<br />
We have some popular artistes participating. The inaugaral concert is by the Rudrapatnam Brothers and we have Shri TN Seshagopalan, Shri Kadri Gopalnath, Ganesh Kumaresh and Sankaran Namboothiri for the rest of the days. Up and coming artistes will also grace the occassion. Students and devotees will also be given opportunities to express their devotion to Sadguru Thyagaraja Swami by rendering His immortal krithis. <br />
<br />
A new venture we have attempted in this year's festival is to involve youngsters to participate, by inviting leading educational establishments to be part of the function. We have introduced a Quiz competition on the Life and Works of Thyagaraja Swami, and students from leading schools in Trichur are participating in this. This will be held on Sunday. <br />
<br />
On Sunday morning we will have an Unchavrutti that will begin at 6.30AM followed by Pancharathnam rendition at the Auditorium. The festival will conclude with Shri Anjaneya Uthsavam.<br />
<br />
I once again invite all of you to be there and enjoy the bliss of Sathguruji's bhakthi that sprang out as the legendary musical compositions that we are accustomed to. Lets all try and make it as spiritual and colorful as possible (Kriya Kalabha Bhakthi as they say). <br />
<br />
Jai Sitaram.<br />
Trichur Brothers<br />
<br />
PS: Please mail me in case you want a brochure of the events. <a href="mailto:mohan.srikrishna@gmail.com">mohan.srikrishna@gmail.com</a>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-69936113083949726152010-08-04T14:25:00.000+05:302010-08-04T14:25:56.946+05:30Audio and Video now available @ www.trichurbrothers.comDear Rasikas and Well Wishers,<br />
<br />
Check out our website. we have provided a free download of "Varugalamo" . This is a recording of our concert at Mumbai last year. Also, there is a sample audio provided from our maiden album, " Musically Yours". <br />
<br />
Music is life<br />
Trichur Brothers.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com4tag:blogger.com,1999:blog-8954649953351054321.post-50051039850946767142010-07-26T17:37:00.000+05:302010-07-26T17:37:40.181+05:30Website statusNamasthe,<br />
<br />
26th July 2010, Monday.<br />
<br />
The work on the website is nearly done and we must have the videos and audios by the end of this week. On the audio front we are planning to put in some recordings of our live concerts for free download. <br />
<br />
cheers,<br />
<br />
trichur brothers.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-53968634420669864542010-07-13T12:11:00.000+05:302010-07-13T12:11:40.759+05:30Visit our websiteHi all,<br />
<br />
We have come out with our website. Of course there is still lot of work to be done, like getting in the videos and the audios.<br />
<br />
the address is<br />
<br />
www.trichurbrothers.com<br />
<br />
Warm Regards,<br />
Trichur Brothers.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-49095045002867927532010-06-17T12:13:00.000+05:302010-06-17T12:13:08.273+05:30Concerts updateJai Ho,<br />
<br />
<span style="color: purple;">Date: 27th June</span>,<br />
Dayanand Ashram, Anakaati, Coimbatore<br />
<br />
<span style="color: purple;">Date: 28th June,</span><br />
Guruvayoor Srikrishna Temple, Melpathoor Auditorium( hall just outside the temple entrance)<br />
Time: 7.00pm<br />
Violin: Viju S Anand<br />
Mridangam: Trichur R Mohan.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-83584456372406085372010-05-14T12:40:00.000+05:302010-05-14T12:40:25.832+05:30Article in The HinduBonjour friends,<br />
<br />
checkout our concert review that appeared this morning. Have pasted the link below.<br />
<br />
<a href="http://beta.thehindu.com/arts/music/article428917.ece">http://beta.thehindu.com/arts/music/article428917.ece</a><br />
<br />
Dhanyavaadh.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-29095029912006047972010-05-07T13:38:00.000+05:302010-05-07T13:38:01.324+05:30Trichur Brothers Podcast.Hi All,<br />
<br />
Please follow the link to listen to our podcast that has been uploaded in the Cleveland Aradhana website.<br />
<br />
<a href="http://www.aradhana.org/blog/2010/05/podcast-trichur-brothers-all-access-pass.html">http://www.aradhana.org/blog/2010/05/podcast-trichur-brothers-all-access-pass.html</a><br />
<br />
Great job by our interviewer Savithri. I am sure she took lots of pain to mix and edit a nearly 3 hours conversation into a 10 mins track. As usual, feel free to comment :-)Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com2tag:blogger.com,1999:blog-8954649953351054321.post-83237072891229067802010-04-10T13:20:00.000+05:302010-04-10T13:20:47.506+05:30Concert at ChicagoOrganised by AKSHAYA MUSIC ACADEMY, Schaumburg, Illinois<br />
<br />
<br />
Date: 15th April <br />
<br />
FROM 6 TO 8PM<br />
<br />
<br />
VENUE: 582 EAST HOME AVENUE, PALATINE, IL-60074<br />
<br />
Contact for tickets: (847) 991-3452 / (847) 858-2370 / (248) 224-6694Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com1tag:blogger.com,1999:blog-8954649953351054321.post-6829706509952685922010-04-10T02:25:00.000+05:302010-04-10T02:25:59.631+05:30Latest UpdateHi,<br />
<br />
We are now scheduled to leave for Toronto tomorrow. Looking forward to meeting friends and rasikas there. And we are performing there on the 17th, Saturday. I wonder if time and weather would permit us to be at the Niagra falls. Hopefully :-)<br />
<br />
Chalo then.<br />
<br />
Srikrishna Mohan.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-33268441335860117972010-04-07T22:09:00.001+05:302010-04-07T22:11:34.354+05:30Update TimeHello all,<br />
<br />
Time to update. We are having a great time here at Cleveland. So far we performed at San Diego for the Indian Fine Arts Society and we had our concert at Cleveland for the Aradhana day before yesterday. We are scheduled to leave for Toronto on the 11th, provided we get our visas. Meanwhile lot of organisations want us to perform at Chicago, NewYork, Philadelphia, Bay Area etc. However, this seems to be difficult, given the short notice and also because we cannot extend our tour. <br />
<br />
Its really been a nice experience over the past few days to mingle with artistes, share views, opinions, and of course listen to some wise cracks. However, all of us are already missing India very badly. Will be back home at the earliest.<br />
<br />
<br />
Best Regards,<br />
SK.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com3tag:blogger.com,1999:blog-8954649953351054321.post-46251778854460677952010-03-29T23:58:00.000+05:302010-03-29T23:58:43.081+05:30One more video made available<a href="http://www.youtube.com/watch?v=htMJMM7KIlY&feature=related">http://www.youtube.com/watch?v=htMJMM7KIlY&feature=related</a><br />
<br />
Hi all,<br />
<br />
the above link ivideo leads you to a video upload on youtube. this is again a piece from our karkala concert.<br />
<br />
Nama Sivaya.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com5tag:blogger.com,1999:blog-8954649953351054321.post-74321803584254755182010-03-19T13:40:00.002+05:302010-03-19T13:40:35.804+05:30Video clipping of Concert at Karkala, near MangloreNamaskaram everybody,<br />
<br />
I am pasting the youtube link of our concert at Karkala. the place was one of its kind in the sense, that the entire venue was lit with mud lamps, with a pond in the centre. Have a look. The entire concert DVD must be available next month.<br />
<br />
Musically Yours,<br />
Srikrishna Mohan.<br />
<br />
<a href="http://www.youtube.com/watch?v=grJSrkVWPQg&feature=email">http://www.youtube.com/watch?v=grJSrkVWPQg&feature=email</a>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com2tag:blogger.com,1999:blog-8954649953351054321.post-59923457078184174852010-03-08T13:31:00.000+05:302010-03-08T13:31:14.051+05:30Concert at Nanganallur<span style="background-color: orange;">Date: March 10th, Wednesday</span><br />
<span style="background-color: orange;">Time: 6.00 pm</span><br />
<br />
Venue: Shri Krishna Bhaktha Jana Sabha, MMTC. Colony, Nanganallur , Chennai <br />
Violin: Bombay Anand<br />
Mridangam: Trichur R Mohan<br />
Ghatam: Venkat<br />
<br />
<br />
one more announcement. By the grace of Bhagvan Rama, we are performing in the Cleveland Thyagaraja Aradhana this year. We are also performing at a few other venues in the US. Will update the schedule as early as possible. We will be there in the US from March 24th upto April 18th.<br />
<br />
Yours Musically,<br />
Srikrishna Mohan and Ramkumar Mohan.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com1tag:blogger.com,1999:blog-8954649953351054321.post-29565620256816807442010-02-17T17:33:00.001+05:302010-02-18T17:56:19.133+05:30Month of February<span style="background-color: orange;">February 21st:</span><br />
Sabha: Hamsavinodhini<br />
Venue: West Mambalam<br />
Violin: MA Sundaresan<br />
Mridangam: Trichur R Mohan<br />
Ghatam: Venkat<br />
<br />
<span style="background-color: orange;">February 27th:</span> <br />
Shastreeya Sangeetha Sabha, Karkala (53kms from Manglore)<br />
Violin: Edapally Ajith Kumar<br />
Mridangam: Trichur R Mohan<br />
Ghatam: Venkat<br />
<br />
<span style="background-color: orange;">Febraury 28th: </span><br />
Concert at Kasargod<br />
Venue: Sree Purandaradasa Sangeetha Kala Mandiram<br />
(Exclusively Thyagaraja Swami, Shri Purandara Dasar and Shri Muthiah Bhagavathar compositions)<br />
Violin: Edapally Ajith Kumar<br />
Mridangam: Trichur R Mohan<br />
Ghatam: VenkatTrichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com0tag:blogger.com,1999:blog-8954649953351054321.post-56675311370909767142010-01-05T13:08:00.001+05:302010-01-05T13:10:07.158+05:30A new venture at Nadha SudhaFriends,<br />
<br />
I am late to inform you about this concert, but better late than never. We will be performing a concert that is titled as "Anubhoothi". This is a new kind of attempt where we are combining guitar, keyboard and Kerala percussion in addition to the normal set of instruments one finds on a carnatic stage. Please be there to enjoy.<br />
<br />
The concert is this evening.<br />
<br />
<br />
Venue: Sachidananda Ashram, Velachery<br />
Time: 6.30 pm, Date: 5th Jan 2010.<br />
<br />
The hall is located in Baby Nagar, which is a left from the main road and is a km away from TCS office. Once you hit Baby Nagar, the direction boards will be there. <br />
<br />
Also I take the opportunity to wish you all a belated New Year on behalf of my dad and brother as well.<br />
<br />
Hari Om.Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com2tag:blogger.com,1999:blog-8954649953351054321.post-28149499052351453782009-12-03T13:59:00.002+05:302009-12-03T14:35:10.936+05:30"Musically Yours" , maiden album from Yours Musically!!!Hello, Hi, Namasthe!!<br />
<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">FINALLY we are out with our first official album, "Musically Yours", and we are planning to release it sometime during the season. We have rendered ten krithis in this album and the list includes :<br />
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</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtVP3LouSaRke-z0W3IBSV4WI-svtoK9jOoo0_gPx82EcJtBzLmBIDuPb-3iqgqQXSEFaEj8ny-Wj3i-YSNE-kuYkCGhhjElVzIVqZ2QBbfoxQimwhs_lULEuKfNFnpxZDlkmI5ESrjQ/s1600-h/Musically+Yours+1.JPG" imageanchor="1" style="cssfloat: right; margin-left: 1em; margin-right: 1em;"><img border="0" er="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtVP3LouSaRke-z0W3IBSV4WI-svtoK9jOoo0_gPx82EcJtBzLmBIDuPb-3iqgqQXSEFaEj8ny-Wj3i-YSNE-kuYkCGhhjElVzIVqZ2QBbfoxQimwhs_lULEuKfNFnpxZDlkmI5ESrjQ/s320/Musically+Yours+1.JPG" /></a><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">1. Mathey : Varnam in Khamas<br />
</div></div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">2. Mahaganapathe: Natanarayani<br />
</div></div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">3. Amba Kamakshi: Bhairavi<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">4. Bho Shambho: Revathi<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">5. Raghuvamsasusdha: Kadanakudoohalam<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">6. Nannuvidachi: Reethi goula<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">7. Ramanai Bhajithal: Maandu<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">8. Pibhare Ramarasam: Aahir Bhairav<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">9. Thillana: Behag<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">10. Vande Mataram: Desh followed by Mangala Slokam.<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">The accompanying artistes are:<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Violin: Idappally Ajith Kumar<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Mridangam : Trichur R Mohan <br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Ghatam: D.V. Venkatasubramaniam<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Ganjira: Thrikkakara YN Shantharam.<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">We would like to thank our parents, Gurus, Uma (my wife), the accompanying artistes and all our well wishers amongst relatives and friends, who inspired us to come out with this first attempt. Also a special thanks to Mahallakshmi, who single handedly photographed and designed the cover page (Pic attached in this posting). We gave her a very short notice and yet she worked admirably to get it out this quick. Will announce the release date in the blog ASAP.<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Yours Musically,<br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Srikrishna Mohan (For Trichur Brothers)<br />
</div>Trichur Brothers Srikrishna Mohan & Ramkumar Mohanhttp://www.blogger.com/profile/14995570737644705025noreply@blogger.com7